For Hire

I do a lot of work with the written word for myself and others. Here you can find all of the information you need to see if I’m a good fit for you and your project. I work with Microsoft Word and GoogleDocs to track changes, suggest edits, and leave comments. Please contact me via email oliviahennis at gmail or through Twitter @OliviaHennis.

Hire Olivia

You can hire me to work with you on the following projects:

  • Back cover blurb
  • Query pitch blurb
  • Synopsis and outline
  • Short stories
  • Novellas
  • Novels

I work with Young Adult, Middle Grade, New Adult, and Adult manuscripts. I work especially well in the following genres:

  • Commercial
  • Contemporary
  • Horror
  • Historical
  • Military
  • LGBT/queer
  • Urban Fantasy
  • Science Fiction
  • Magical Realism
  • Paranormal
  • Romance
  • Superheroes
  • Thriller
  • Dystopian
  • Mythology & Retellings
  • Dark Humor
  • Post-Modern
  • Erotica & Smut

I am not a good choice to work on:

  • High Fantasy
  • Memoir
  • Non-fiction
  • Religious fiction

Qualifications

  • 10+ years as a freelance editor (content editing, sensitivity reading, and beta reading) for published, self-published, and unpublished novels and short stories
  • Literary Department head for YA Magazine (now Young Entertainment) editing and developing short stories, interviewing top YA authors, and reviewing up-coming YA titles
  • I write YA and Urban Fantasy novels and short stories
  • 4+ years book podcasting with Papercuts Podcast
  • 13 years in Halloween and Haunt Park industry from actor to park manager
  • 5 years in Fandom and Kink events industry from guest speaker to event coordinator
  • 17 years in variety of gaming, comic, RPG, LARP cultures
  • Life experience in all listed areas of expertise in the Sensitivity Reader section below

Critiques

A professional critique without any line edits or markings on your actual manuscript. This will be a letter from me with notes on the story, what I liked, what I feel can use some work, some light suggestions. A critique may lead you to hire me for Content Editing & Development or Sensitivity Reading.

Before you hire me for this type of work, I will need the following information:

  • Length of the manuscript (from short story to novel)
  • Genre
  • Short form and full length blurb
  • Submission readiness of manuscript (Is this an unpolished rough draft? First draft? Have you had other content developers or sensitivity readers work on this?)

I reserve the right to pass on any project which I feel would not benefit with me as a reader.

Content & Developmental Editing

Before you hire me for this type of work, I recommend reading “10 Things Your Freelance Editor Might Not Tell You–But Should“. My main focus is on character agency and consistency, poking at plot holes, and tightening the pace of a story.

This type of work includes:

  • Tracked changes and edits in the manuscript
  • Specific feedback and constructive criticism
  • Dialogue and narrative voice suggestions and consistency tracking
  • Line edits for pacing, such as moving, removing, or adding scenes, narration, or dialogue
  • Honing and focusing of the major and minor plots and premise, or character arcs
  • Editorial revisions communicated in a clear, professional manner
  • May include a letter from me detailing major feedback

If you are looking for spelling and grammar edits, you are looking for a copy-editor. I am not available for this work.

Sensitivity Reading

Sensitivity Reading is recommended after Content & Development has been finalized either by me or another editor.

“A sensitivity reader is a professional you hire who’s job is to read your manuscript with special emphasis on how you portray people from marginalized groups or key historical events that involved those groups.”John Berkowitz

“Manuscripts should be free of glaring errors and should be nearly submission ready, meaning it should be a later draft and something that has been reviewed by others.” – Writing in the Margins

I’m available for any size project from short stories to large novels. All of my readings will be through the eyes of my own life experience and continued sensitivity learning. Please be prepared for the possibility that you will need to make major changes to your plot, characters, world, or continuity.

Areas of personal expertise

MENTAL HEALTH
Especially interested in projects about:
  • Dissociative Identity Disorder (are your chars still calling it “split personality” or “multiple personality disorder”? I’m the sensitivity reader for you!)
  • cPTSD
  • Insomnia
  • Suicidal ideation
SEX, GENDER, & ROMANCE
Interested in projects with:
  • Ethical non-monogamy
  • Polyamory without couple privilege or hierarchy
  • Solo polyam folks
  • Queer identities involving grey, demi, or pan IDs
  • Kink and BDSM that is not about sexual gratification
  • Sex worker characters who are fat and femme.
WORKING CLASS
Great for projects with:
  • Low income white femme adults
  • Communal living
  • Homelessness and transience
  • Finding jobs without a degree
  • Hourly wage working.
FAMILY LIFE
Interested in projects with characters:
  • Raised by narcissists, survivors of childhood abuse and neglect (physical, mental, emotional; food insecurity); teenage runaways; oldest of large families; and/or closeted queerness and geekiness.
GEEKY THINGS
Great for projects with:
  • Femme leaders in Geek Culture and Conventions
  • Haunt or Halloween culture and parks
  • Gaming/LARP culture
  • And where I can hunt for classist microaggressions (steampunk tends to be rife with them!).
In some cases, I may recommend you find a second sensitivity reader for areas which are not mine to speak on. In general, I recommend having more than one sensitivity reader to begin with. Please remember not to ask people of color and other marginalized voices to work for free.
I may not be the right Sensitivity Reader for you. Please check out the Writing in the Margins sensitivity reader database for more available readers!

References

I have worked with several published authors. Testimonial coming soon to this space.

Rates

Payment for projects under $100 must be paid in full before I begin work. Payment for services over $100 must be paid 50% upfront before I begin work, with the remaining 50% paid halfway through the project. My preferred payment methods are through PayPal and Venmo. Marginalized and teen authors will receive a 10% discount on all projects over $20.

Cover Copy, Query Pitches, & Blurbs

  • $5 for Back Cover Blurb or Query Pitch Blurb simple edit
  • $20 for Back Cover Blurb or Query Pitch Blurb crafting

Critiques

  • $10 for Short Story critiques (1000 – 15k words)
  • $20 for Longer Short Story critiques (15k – 30k words)
  • $40 for Novella critiques (30k – 50k words)
  • $50 for Novel critiques (50k – 100k words)
  • $75 for Large Novel critiques (More than 100k words)

Content Editing & Development

  • $50 for Short Story development (1000 – 15k words)
  • $100 for Longer Short Story development (15k – 30k words)
  • $200 for Novella development (30k – 50k words)
  • $300 for Novel development (50k – 100k words)
  • $400 for Large Novel development (More than 100k words)

Sensitivity Reads

  • $30 for Short Story sensitivity reads (1000 – 15k words)
  • $60 for Longer Short Story sensitivity reads (15k – 30k words)
  • $120 for Novella sensitivity reads (30k – 50k words)
  • $250 for Novel sensitivity reads (50k – 100k words)
  • $350 for Large Novel sensitivity reads (More than 100k words)

On Sensitivity Reader rates, from Writing in the Margins:

sensitivity-rates.png

I charge the recommended basic minimum of $250 for a “high level overall read” on a manuscript.

Disclaimers & Reminders

I am not a critique partner or a rough first draft beta reader. I am not interested in or willing to do manuscript trades. This is work which I put in many long hours to provide. I reserve the right to pass on any potential project for any reason (this might be because of the content needing someone other than me to sensitivity read; I might be swamped; I might not be interested in your genre). I reserve the right to pass without informing you why I need to.

Payment for projects under $100 must be paid in full before I begin work. Payment for services over $100 must be paid 50% upfront before I begin work, with the remaining 50% paid halfway through the project. My preferred payment methods are through PayPal and Venmo. Marginalized and teen authors will receive a 10% discount on all projects over $20.

My work for you is not an endorsement. My opinion is only one person’s. In some cases, I may recommend you find a second sensitivity reader for areas which are not mine to speak on. In general, I recommend having more than one sensitivity reader to begin with. Please remember not to ask people of color and other marginalized voices to work for free.

I may not be the right Sensitivity Reader for you. Please check out the Writing in the Margins sensitivity reader database for more available readers!

 

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